Countryside: The Future and the Past
It is no exaggeration to say that our present is the future that Dorothea Lange’s images foretold. The crisis of agriculture in the face of toxic capitalism and climatic disaster that is at the center of her famous photographs might also have served to focus and sharpen "Countryside: The Future," where it is occasionally a subject but more often merely an unstated subtext.In "Countryside: The Future and the Past," Deborah Gans reviews Countryside: The Future, at the Guggenheim Museum, the multimedia culmination of years of interdisciplinary, globe-spanning research led by OMA's Rem Koolhaas and Samir Bantal, director of its think tank, AMO, alongside Dorothea Lange: Words and Pictures, curated by Sarah Hermanson Meister at the Museum of Modern Art, the first solo show devoted to the celebrated documentary photographer in more than half a century. Although the exhibitions are very different in scale, ambition, and emotional tenor, each is propelled by the efforts of vastly different urban artists and professionals to document and comprehend historical transformations in rural life. Together they offer an intriguing counterpoint: one body of work is determined to remain detached; the other is driven by political commitment.
It is no exaggeration to say that our present is the future that Dorothea Lange’s images foretold. The crisis of agriculture in the face of toxic capitalism and climatic disaster that is at the center of her famous photographs might also have served to focus and sharpen "Countryside: The Future," where it is occasionally a subject but more often merely an unstated subtext.
In "Countryside: The Future and the Past," Deborah Gans reviews Countryside: The Future, at the Guggenheim Museum, the multimedia culmination of years of interdisciplinary, globe-spanning research led by OMA's Rem Koolhaas and Samir Bantal, director of its think tank, AMO, alongside Dorothea Lange: Words and Pictures, curated by Sarah Hermanson Meister at the Museum of Modern Art, the first solo show devoted to the celebrated documentary photographer in more than half a century.
Although the exhibitions are very different in scale, ambition, and emotional tenor, each is propelled by the efforts of vastly different urban artists and professionals to document and comprehend historical transformations in rural life. Together they offer an intriguing counterpoint: one body of work is determined to remain detached; the other is driven by political commitment.
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