Erasing Walls: Ceramic Tile Murals in Brazilian Modernism
"I felt like I was Nino Rota and Oscar Niemeyer was Fellini, it was like I was creating an important piece of music in that work of art." Renowned visual artist Athos Bulcão uses this comparison between the Italian composer and the film director to refer to the relationship between his work with ceramic tiles and architecture. This fusion between art and architecture marked an important period in the history of Brazil, shedding light on issues such as national identity, the massification of art, and architectural techniques aimed at the tropical climate.
Mural by Candido Portinari at the Pampulha Church. Foto © Ricardo Laf, courtesy of Iphan
"I felt like I was Nino Rota and Oscar Niemeyer was Fellini, it was like I was creating an important piece of music in that work of art." Renowned visual artist Athos Bulcão uses this comparison between the Italian composer and the film director to refer to the relationship between his work with ceramic tiles and architecture. This fusion between art and architecture marked an important period in the history of Brazil, shedding light on issues such as national identity, the massification of art, and architectural techniques aimed at the tropical climate.
