Iwan and Manuela Wirth are reportedly buying Richard Neutra's iconic Lovell Health House in Los Angeles

The Lovell Health House, as the behemoth on Dundee Drive came to be known, remains a dumbfounding sight. It occupies a steep slope at the edge of Griffith Park, plunging three stories from street level. [...] It is a monumental yet unreal creation—a silver-white vessel that seems to have docked at the top of a canyon.Neutra's 1929 home has and was featured in the classic 1997 film LA Confidential. Wirth's eponymous gallery first established a presence in Downtown Los Angeles in 2016 and is set to expand to a second site soon with some help from Selldorf Architects, who has designed seven of the gallery’s sixteen spaces worldwide thus far. The 4616 Dundee Drive property in Los Feliz has been on the market for over a year at a listing price north of $9.75 million. Its current owner inherited the architectural gem from his parents, who purchased it for $60,000 in 1960. The New Yorker has more on the unmistakable beauty behind Neutra’s biorealist masterpiece here. 

Iwan and Manuela Wirth are reportedly buying Richard Neutra's iconic Lovell Health House in Los Angeles

The Lovell Health House, as the behemoth on Dundee Drive came to be known, remains a dumbfounding sight. It occupies a steep slope at the edge of Griffith Park, plunging three stories from street level. [...] It is a monumental yet unreal creation—a silver-white vessel that seems to have docked at the top of a canyon.



Neutra's 1929 home has and was featured in the classic 1997 film LA Confidential. Wirth's eponymous gallery first established a presence in Downtown Los Angeles in 2016 and is set to expand to a second site soon with some help from Selldorf Architects, who has designed seven of the gallery’s sixteen spaces worldwide thus far.

The 4616 Dundee Drive property in Los Feliz has been on the market for over a year at a listing price north of $9.75 million. Its current owner inherited the architectural gem from his parents, who purchased it for $60,000 in 1960. The New Yorker has more on the unmistakable beauty behind Neutra’s biorealist masterpiece here