My House: They Said Farewell to London and Moved Into a 17th-Century Water Mill

Artists Miriam Nabarro and Simon Quinn call on Cooke Fawcett Architects to sensitively adapt a historic Hampshire site into a home with a workshop and art studio.

My House: They Said Farewell to London and Moved Into a 17th-Century Water Mill

Artists Miriam Nabarro and Simon Quinn call on Cooke Fawcett Architects to sensitively adapt a historic Hampshire site into a home with a standalone workshop and art studio.

The studio opens out to a large verandah, which features a six-foot-long vintage French trough sink. The creative couple use it for soaking willow prior to weaving and washing out cyanotype prints.

For artists Miriam Nabarro and Simon Quinn, the transition from living in a London apartment to a 17th-century mill in rural Hampshire marked a new chapter in their creative practices. From the moment they set foot on site, the couple were captivated by the property’s potential—a sentiment shared by architect Oliver Cooke, cofounder of London-based Cooke Fawcett Architects.

"It’s the kind of amazing site where you visit, and you have to try not to get too excited," he says. "The way it’s embedded in nature is extraordinary—it’s this historic mill surrounded by woods and water. It’s a really provocative place."

 "When we bought the house in 2018, it was very unloved," recalls homeowner Miriam Nabarro. "It was structurally okay, but not really fit for purpose. The spaces were all very small and dark, and there was only one family bathroom downstairs."

Photo by Cooke Fawcett Architecture

While the couple had initially dreamed of transforming the 17th-century mill into a studio, it soon became apparent that its historical importance and listed status would make this impossible. Instead, it served as inspiration for a new, separate studio and an extension that wraps around the Victorian-era mill cottage, framing the past with the present. 

The extension wraps around the brick walls of the original home. It features large glazed doors that slide open to the verandah for seamless indoor-outdoor living when the weather allows. The dining table has been in Miriam's family for several generations, and is paired with some

The extension wraps around the brick walls of the original home. It features large glazed doors that slide open to the veranda for seamless indoor/outdoor living when the weather allows. The dining table has been in Miriam’s family for several generations, and it’s paired with some "very battered" midcentury Magistretti chairs.

Photo by James Brittain

The design process was intensely collaborative, and Miriam’s Australian heritage and love of architect Glenn Murcutt was a driving inspiration for the project’s embrace of indoor/outdoor living.

"It was such a shared passion," says Cooke. "That Australian, tropical interpretation of modernism is very lean and utilitarian, but elegant. It felt like an interesting fit for a utilitarian space that needed to inspire. One of the things I found so interesting about the brief was this combination of very practical yet very atmospheric elements."

"The materiality is very considered," says Simon. "We used brick, flint, timber, and the cladding is all Sycamore like the surrounding forest. It feels like everything relates back to the landscape."

Photo by James Brittain

See the full story on Dwell.com: My House: They Said Farewell to London and Moved Into a 17th-Century Water Mill
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