NY Design Week’s Coolest Show Was a Feast of Night-Lights—And It’s Up for Two More Weeks
East coast galleries Dudd Haus and The Future Perfect turned a town house into a glowing spectacle of zany works from established and emerging designers.
East coast galleries Dudd Haus and The Future Perfect turned a town house into a glowing spectacle of zany works from established and emerging designers.
This story is part of Fair Take, our reporting on global design events that looks up close at the newest ideas in fixtures, furnishings, and more.
I’ve moved 11 times since leaving home after high school and in all of those moves the one thing I still really mourn losing is a night-light. It was this small sun with a smiling face, left at my Brooklyn apartment in the winter of 2021 when my partner at the time and I were packing everything we could into one car to drive across the country and move to Los Angeles. I’d had it since I was a kid, this small simple piece of plastic of which there are 1,000 iterations, but when I google "sun smiling face night-light" not a single one of them replicates the warmth and joy of the one I’d held onto for 15 years or so until that point. Somewhere around Ohio on that trip, I sat in the passenger seat crying and frantically tweaking my keywords trying to arrive at an eBay or Mercari result that would bring this night-light back to me.

The close quarters where some of the night-lights are on display ensure that visitors get a closer look.
Photo by David Sierra
I never did find a copy of that light, but an exhibition at New York Design Week offered several suitable alternatives. For their New York Design Week exhibition this year, which is up through June 26, Jonald Dudd partnered with gallery The Future Perfect to present original night-light designs from over 120 designers. The lights are displayed in The Future Perfect townhouse in the West Village, with half in the basement and the other half on an upper floor next to the stairwell. The darkness of the basement was particularly pleasing to me. It reminded me of the darkened Hall of Gems at the Natural History Museum (pre-renovation), the dim lighting making it feel like you’re actually discovering something—which in this case you are, assuming you don’t already have an encyclopedic knowledge of the American design scene.

Stefanie Haining’s 7-Eleven light offers a dose of nostalgia, while Nicholas Baker’s "Reading Man" conjures a sense of personality with just wire, clips, and paper.
Photos courtesy of Jonald Dudd
There’s an LED light covered in faux fur, resembling a radiant tail, by Studio Daae. A twee, striped wooden bow by Lauren Lauer. A snowglobe-like porcelain depiction of 7-Eleven by Stefanie Haining. Nino Chamber’s tiny poplin "Nightshirt" and Nicholas Baker’s "Reading Man" both put me in the mood for bedtime in the best way possible. I’ll admit my bias that there are several pieces by friends in the show too, including Sophie Collé whose hanging chains on "Deco Delight" I’m particularly charmed by, and my boyfriend Cooper Lovano’s "The Gnat and the Bull," a wood veneered piece that’s inspired by the Aesop’s Fable of the same. What I love about night-lights is the particular kind of intimacy you develop with them, given that they’re all you’re seeing in the hours when they serve their purpose. The oddity of most of these designs seems to honor that intimacy—even the relatively simple pieces give you something meaty enough to ponder night after night of use.

Cooper Lovano’s "The Gnat and the Bull" is inspired by an Aesop’s Fable. The curved aluminum and hanging chains lend Sophie Collé’s stationary "Deco Delight" a sense of movement.
Photos courtesy of the designers
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