OMA Conversations
the drawing for (Parc de) la Villette...was based on very definite sources...Of course...it was no gigantic leap if you were familiar with those Belgian cartoons. Willem-Jan Neutelings would always draw these little cartoons for the buildings he made, certainly when he opened his own office...The other inspiration was a painter in Chicago named Roger Brown, who made these tip-up paintings—all his scenes were using that perspective—and he was influenced by Italian 13-14th Century painting.In collaboration with Drawing Matter, Architect Richard Hall is publishing a 6-part series based on twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Most of the image material is from the in-house project archive of OMA at the Rotterdam office and/or the personal archives of its previous members and the Drawing Matter Collection.
the drawing for (Parc de) la Villette...was based on very definite sources...Of course...it was no gigantic leap if you were familiar with those Belgian cartoons. Willem-Jan Neutelings would always draw these little cartoons for the buildings he made, certainly when he opened his own office...The other inspiration was a painter in Chicago named Roger Brown, who made these tip-up paintings—all his scenes were using that perspective—and he was influenced by Italian 13-14th Century painting.
In collaboration with Drawing Matter, Architect Richard Hall is publishing a 6-part series based on twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Most of the image material is from the in-house project archive of OMA at the Rotterdam office and/or the personal archives of its previous members and the Drawing Matter Collection.
