Tadao Ando’s tribute to Karl Lagerfeld will take over the Met’s Costume Institute this spring
The three-decade professional relationship between Karl Lagerfeld and Pritzker winner Tadao Ando will be continued in a new exhibition designed by the architect for the Costume Institute of the Metropolitan Museum of Art in New York City. Opening to coincide with the Lagerfeld-themed Met Gala during the first week of May, Karl Lagerfeld: A Line of Beauty promises to be a treatise on Lagerfeld’s work organized around the duality between straight lines and the “Serpentine line” first theorized in William Hogarth’s 1753 essay The Analysis of Beauty. The essay was supposedly an inspiration for the late fashion designer throughout his decorated career, the arch and milestones of which are covered in the introductory segment to the exhibition. This introduction will be followed by two galleries that hone in on themes derived from each type of line and are divided into nine ‘sublines’ included as examples of contradictory impulses throughout his friend’s long oeuvre. Related on Archinect:...
The three-decade professional relationship between Karl Lagerfeld and Pritzker winner Tadao Ando will be continued in a new exhibition designed by the architect for the Costume Institute of the Metropolitan Museum of Art in New York City.
Opening to coincide with the Lagerfeld-themed Met Gala during the first week of May, Karl Lagerfeld: A Line of Beauty promises to be a treatise on Lagerfeld’s work organized around the duality between straight lines and the “Serpentine line” first theorized in William Hogarth’s 1753 essay The Analysis of Beauty.
The essay was supposedly an inspiration for the late fashion designer throughout his decorated career, the arch and milestones of which are covered in the introductory segment to the exhibition. This introduction will be followed by two galleries that hone in on themes derived from each type of line and are divided into nine ‘sublines’ included as examples of contradictory impulses throughout his friend’s long oeuvre.