The Ukrainian architect who showed Norman Foster his Kharkiv
Kharkiv’s mayor, Ihor Terekhov, announced that Foster and his nonprofit, the Norman Foster Foundation, had agreed to work on such a plan in collaboration with the city. Max, who had never imagined he’d hear the words “Kharkiv” and “Foster” in the same sentence, was asked to join Foster’s working group. He was one of only two architects selected who were still physically in Kharkiv—the only people in a position to “show” Kharkiv to Foster.The New Yorker contributing writer Masha Gessen tells the story of Maxim Rozenfeld, a Kharkiv-native, Ukrainian architect and historian with special expertise in the high-tech-style oeuvre of Norman Foster, who ended up briefing a Foster-led team when the city's mayor Ihor Terekhov announced an ambitious rebuilding plan for the heavily-damaged Kharkiv one year ago in April (new details emerged in December).
Kharkiv’s mayor, Ihor Terekhov, announced that Foster and his nonprofit, the Norman Foster Foundation, had agreed to work on such a plan in collaboration with the city. Max, who had never imagined he’d hear the words “Kharkiv” and “Foster” in the same sentence, was asked to join Foster’s working group. He was one of only two architects selected who were still physically in Kharkiv—the only people in a position to “show” Kharkiv to Foster.
The New Yorker contributing writer Masha Gessen tells the story of Maxim Rozenfeld, a Kharkiv-native, Ukrainian architect and historian with special expertise in the high-tech-style oeuvre of Norman Foster, who ended up briefing a Foster-led team when the city's mayor Ihor Terekhov announced an ambitious rebuilding plan for the heavily-damaged Kharkiv one year ago in April (new details emerged in December).
