AA Files 77

AA Files 77Maria Sheherazade Giudici (Editor) AA Publications, December 2020Paperback | 9-1/2 x 11-1/2 inches | 224 pages | English | ISBN: 978-1999627737 | £25.00PUBLISHER'S DESCRIPTION: AA Files is the Architectural Association’s journal of record and offers a platform for exchange connecting the research produced by the AA community to a larger architectural debate globally. Organised in a series of thematic sections that emerged from the AA Files Issue 76 Glossary, each ‘file’ contains two or more contributions that explore a common keyword constructing a dialogue between a heterogeneous set of authors with the aim to reframe architecture as a critical point of entry through which the most urgent social and environmental questions of today can be addressed. In Issue 77, the themes are Body, Care, Economy, Environment, Labour, Project and Resistance. A special feature ‘file’ on Home gathers ten perspectives on domestic living during lockdown from Mexico City to Teheran, while ARÓ (Allies Against Discrimination and Disparity) writes on four keywords that have been added to our AA Files Glossary: Afrofuturism, Exile, Third Space and Transience. With contributions by ARÓ, Panos Dragonas and Lydia Kallipoliti, Cooking Sections, Andrea Bagnato, Geoff Manaugh and Nicola Twilley, Leonard Ma, Brittany Utting and Daniel Jacobs, James Westcott and Federico Martelli, Ludovico Centis and Ed Ruscha, Georgios Eftaxiopoulos, Elena Palacios Carral, Neeraj Bhatia, Pietro Bonomi and Nicoló Ornaghi, Christophe van Gerrewey, Hugh Strange, Alejandra Celedón Forster, Hamed Khosravi, Ethel Baraona Pohl, Alessandro Bava, Fernanda Canales, Brendon Carlin, Mariabruna Fabrizi and Fosco Lucarelli, Dan Handel, Harriet Harriss, Peer Illner, Kaveh Rashidzadeh, Charles Rice, Francesca Romana Dell’Aglio, Gabrielle Eglen, Jeremy Lecomte, Oli Surel and Max Turnheim. REFERRAL LINKS:    dDAB COMMENTARY: Oddly, critical silence followed the completion of Apple Campus 2 in Cupertino, California, in 2018. Designed by Foster + Partners as a ring in the landscape, the much-anticipated building was off limits to architecture critics — to most people, actually — leading to a lack of first-hand critiques. Therefore the only reviews to be found were from a distance, either focusing on the urban demerits of, or the hype around, the massive, nearly decade-long project. Things were a bit different a few years earlier, when Facebook moved into MPK20, its new home designed by Gehry Partners in Menlo Park, twenty miles north of Apple's campus. Employees were allowed to post a curated selection of photos of the new office environment to Instagram, the photo app owned by Facebook, and articles on the building were in abundance, including reviews in the LA Times and the Wall Street Journal. I'm mentioning Apple and Facebook here since one of the standouts in the latest issue of the Architectural Association's AA Files is Georgios Eftaxiopoulos's in-depth review of MPK20. It's the kind of review that can only be pulled off in an academic setting, be it AA Files or The Avery Review or JAE. It is long; it explores a lot of territory within and beyond architecture; it has an abundance of footnotes (maybe even an overabundance, to the point of distraction — three footnotes in one sentence?!); and it has a number of drawings, by the author, accompanying the photographs. The review falls under "Labour," one of eight sections used to organize the sixteen "files" that comprise most of the issue. Other themes for the paired files include "Care," "Economy," "Logistics," and "Resistance."  As explained by issue editor Maria Sheherazade Giudici, these one-word themes are pulled from an ongoing glossary of terms carried out by the AA and started in a previous issue of AA Files. It sounds like what Eva Franch i Gilabert presented at The World Around in January 2020, "Architecture in Translation," the Graham Foundation-funded project that "identifies terms, concepts, and values inherent to different linguistic and cultural contexts to produce a 'multilingual dictionary of architectural terms' in the twenty-first century." I'm not sure how the production of issue 77 overlapped with the firing of Franch i Gilabert last year, but there appears to be a strong correlation between the paired contributions and their respective terms. The essay on MPK20, for example, illuminates how the engineers, Mark Zuckerberg included, actually work in the Gehry-designed "largest room in the world." Other highlights of the issue include AA's interview with Geoff Manaugh and Nicola Twilley, who curated the 2010 exhibition Landscapes of Quarantine and are finishing a book about quarantine; their timely contribution in the "Care" section of this pandemic issue is echoed by the "Home" section at the back, where a number of contributors discuss their experiences in their places of lockdown. Christophe Van Gerrewey, editor of the great OMA/Rem Koolhaas: A Critical Reader, delves into Nikolaus

AA Files 77
AA Files 77
Maria Sheherazade Giudici (Editor)
AA Publications, December 2020

Paperback | 9-1/2 x 11-1/2 inches | 224 pages | English | ISBN: 978-1999627737 | £25.00

PUBLISHER'S DESCRIPTION:

AA Files is the Architectural Association’s journal of record and offers a platform for exchange connecting the research produced by the AA community to a larger architectural debate globally. Organised in a series of thematic sections that emerged from the AA Files Issue 76 Glossary, each ‘file’ contains two or more contributions that explore a common keyword constructing a dialogue between a heterogeneous set of authors with the aim to reframe architecture as a critical point of entry through which the most urgent social and environmental questions of today can be addressed. In Issue 77, the themes are Body, Care, Economy, Environment, Labour, Project and Resistance. A special feature ‘file’ on Home gathers ten perspectives on domestic living during lockdown from Mexico City to Teheran, while ARÓ (Allies Against Discrimination and Disparity) writes on four keywords that have been added to our AA Files Glossary: Afrofuturism, Exile, Third Space and Transience.

With contributions by ARÓ, Panos Dragonas and Lydia Kallipoliti, Cooking Sections, Andrea Bagnato, Geoff Manaugh and Nicola Twilley, Leonard Ma, Brittany Utting and Daniel Jacobs, James Westcott and Federico Martelli, Ludovico Centis and Ed Ruscha, Georgios Eftaxiopoulos, Elena Palacios Carral, Neeraj Bhatia, Pietro Bonomi and Nicoló Ornaghi, Christophe van Gerrewey, Hugh Strange, Alejandra Celedón Forster, Hamed Khosravi, Ethel Baraona Pohl, Alessandro Bava, Fernanda Canales, Brendon Carlin, Mariabruna Fabrizi and Fosco Lucarelli, Dan Handel, Harriet Harriss, Peer Illner, Kaveh Rashidzadeh, Charles Rice, Francesca Romana Dell’Aglio, Gabrielle Eglen, Jeremy Lecomte, Oli Surel and Max Turnheim.

REFERRAL LINKS:

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dDAB COMMENTARY:

Oddly, critical silence followed the completion of Apple Campus 2 in Cupertino, California, in 2018. Designed by Foster + Partners as a ring in the landscape, the much-anticipated building was off limits to architecture critics — to most people, actually — leading to a lack of first-hand critiques. Therefore the only reviews to be found were from a distance, either focusing on the urban demerits of, or the hype around, the massive, nearly decade-long project. Things were a bit different a few years earlier, when Facebook moved into MPK20, its new home designed by Gehry Partners in Menlo Park, twenty miles north of Apple's campus. Employees were allowed to post a curated selection of photos of the new office environment to Instagram, the photo app owned by Facebook, and articles on the building were in abundance, including reviews in the LA Times and the Wall Street Journal.

I'm mentioning Apple and Facebook here since one of the standouts in the latest issue of the Architectural Association's AA Files is Georgios Eftaxiopoulos's in-depth review of MPK20. It's the kind of review that can only be pulled off in an academic setting, be it AA Files or The Avery Review or JAE. It is long; it explores a lot of territory within and beyond architecture; it has an abundance of footnotes (maybe even an overabundance, to the point of distraction — three footnotes in one sentence?!); and it has a number of drawings, by the author, accompanying the photographs. The review falls under "Labour," one of eight sections used to organize the sixteen "files" that comprise most of the issue. Other themes for the paired files include "Care," "Economy," "Logistics," and "Resistance." 

As explained by issue editor Maria Sheherazade Giudici, these one-word themes are pulled from an ongoing glossary of terms carried out by the AA and started in a previous issue of AA Files. It sounds like what Eva Franch i Gilabert presented at The World Around in January 2020, "Architecture in Translation," the Graham Foundation-funded project that "identifies terms, concepts, and values inherent to different linguistic and cultural contexts to produce a 'multilingual dictionary of architectural terms' in the twenty-first century." I'm not sure how the production of issue 77 overlapped with the firing of Franch i Gilabert last year, but there appears to be a strong correlation between the paired contributions and their respective terms. The essay on MPK20, for example, illuminates how the engineers, Mark Zuckerberg included, actually work in the Gehry-designed "largest room in the world."

Other highlights of the issue include AA's interview with Geoff Manaugh and Nicola Twilley, who curated the 2010 exhibition Landscapes of Quarantine and are finishing a book about quarantine; their timely contribution in the "Care" section of this pandemic issue is echoed by the "Home" section at the back, where a number of contributors discuss their experiences in their places of lockdown. Christophe Van Gerrewey, editor of the great OMA/Rem Koolhaas: A Critical Reader, delves into Nikolaus Pevsner's little known Some Architectural Writers of the Nineteenth Century in the "Project" section, while Franco Martelli and James Westcott, in "Environment," discuss the late Douglas Tompkins' efforts to protect parts of Patagonia in Chile. Uniting the divergent stories and themes is a pleasing design by Pentagram that uses the eight terms as a way to organize the issue.

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