Grand Central Madison Is New York City’s Most Transportive Train Station, Thanks to Its Art

Massive mosaics by Yayoi Kusama and Kiki Smith plus more works bring verve and vibe to the city’s new terminal.

Grand Central Madison Is New York City’s Most Transportive Train Station, Thanks to Its Art

Massive mosaics by Yayoi Kusama and Kiki Smith plus more works bring verve and vibe to the city’s new terminal.

<i>A Message of Love, Directly from My Heart Unto the Universe,</i> 2022. By Yayoi Kusama. Glass mosaic, 120.66 x 7.25 feet. Fabricated by Miotto Mosaic Art Studios. Commissioned by MTA Arts & Design.

On January 25, when the first commuter trains pulled into Grand Central Madison, the new $11.1 billion addition to Grand Central Terminal, New Yorkers finally got a first look at the long-awaited upgrade in the Long Island Rail Road. It was hard not to notice a misspelling of artist Georgia O’Keeffe’s name etched in stone, or to avoid NYC’s steepest escalator rides. A big win, however, are its moving works of art.

While several large-scale mosaics created by artists Yayoi Kusama and Kiki Smith are the big draws to the station, other installations, including video works, animations and 3D imagery, as well as a rotating selection of photography by other artists and collections will supply additional oomph.

In <i>The Sound</i>, Smith deftly uses mosaic to depict sunlight glinting on water and a series of summer showers sweeping across the Long Island Sound. Smith worked closely with Franz Mayer of Munich, a glass and mosaic maker since 1847, with whom she’d created a stained-glass window for New York City’s Eldridge Street Synagogue.

In The Sound, Smith deftly uses mosaic to depict sunlight glinting on water and a series of summer showers sweeping across the Long Island Sound. Smith worked closely with Franz
Mayer of Munich, a glass and mosaic maker since 1847, with whom she’d created a stained-glass window for New York City’s Eldridge Street Synagogue.

Photo by Marc A. Hermann/MTA

Along the new station’s Madison Concourse, Yayoi Kusama’s mosaic draws on motifs she previously used in her My Eternal Soul series—vivid colors explode in a buoyant and energetic landscape of squiggles, dots, flowers and smiling faces. Titled A Message of Love, Directly from My Heart unto the Universe, the glass mosaic stretches 120 feet. Smith’s mosaics, five in all, strike a more contemplative chord: In the largest work, an 80-foot panel, angular shards of reflective blue glass tiles become shards of sunlight hitting the East River, glinting and full of motion.

The other Smith mosaics, framed within the Concourse’s architectural alcoves, also look to nature for inspiration. Each of the four alcove works depict an aspect of Long Island wildlife: a still and alert deer, a flock of wild turkeys standing amid wooded undergrowth, a summery and almost pointillist Long Island Sound seascape, and an abstracted and angular wave receding on a rocky beach.

Four of Kiki Smith’s five mosaics were created for alcove spaces in the new station extension, and provide a kind of window between the city and Long Island’s natural beauty.

Four of Kiki Smith’s five mosaics were created for alcove spaces in the new station extension,
and provide a kind of window between the city and Long Island’s natural beauty.

Photo by Marc A. Hermann/MTA

The selection and installation of public art in the Madison Concourse is the biggest and latest project overseen by the MTA Arts & Design group. The group, under its director, Sandra Bloodworth, is also responsible for the Poetry in Motion subway series (created in partnership with the Poetry Society of America) and Music Under New York performances, as well as other cultural initiatives.

"When art creates an intimate experience while you’re in a public realm—that’s when it’s successful. That’s the goal to attain."

—Sandra Bloodworth, director of the MTA Arts & Design group


Since it was founded in 1985, the MTA Arts & Design has chosen some stunning artwork to display in stations along New York’s almost 250-mile subway system. Mosaic works by artists like Faith Ringgold (125th St Station), Sol LeWitt (59th Street ColumbusCircle), Elizabeth Murray (East 59th St Station), Nancy Spero (Lincoln Center), and EricFischl (34th St/Penn Station) enliven the walls of stations. Ceramic mosaic, Bloodworth says, is the material of choice for its durability: "It’ll be there forever if man or nature doesn't intervene."

Splashy recent projects curated by MTA Arts & Design have included the Second Avenue subway extension where the walls of the four new stations are enhanced with artwork by the likes of Chuck Close, Sarah Sze, and Vic Muniz. The stations along the extension drew crowds of riders and art lovers on opening day, January 1, 2017.

<i>A Message of Love, Directly from My Heart Unto the Universe,</i> 2022. By Yayoi Kusama. Glass mosaic, 120.66 x 7.25 feet. Fabricated by Miotto Mosaic Art Studios. Commissioned by MTA Arts & Design.

Yayoi Kusama’s whimsical imagery swirls and dances down the corridor between the train platforms and the city above, providing energetic and happy companionship for the commuter’s journey.

A Message of Love, Directly from My Heart unto the Universe, 2022 Glass mosaic 120.66 x 7.25 feet Fabricated by Miotto Mosaic Art Studios Commissioned by MTA Arts &amp; Design  Photo by Kerry McFate ©YAYOI KUSAMA Courtesy of Ota Fine Arts, David Zwirner

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