Mario D'Souza lecture: Architectural Templates, Corresponding Histories and Chance Encounters
Event Date: Jun 13, 2020; Event City: Studio-X Amman is a regional platform for research and programming in architecture, run by Columbia GSAPP and the Columbia Global Centers | Amman. Janet Abu-Lughod Library Seminar IV Superheat by Ala Younis Online public lecture series Architectural Templates, Corresponding Histories and Chance Encounters by Mario D'Souza How can we move away from the chronological and the linear to dwell instead on the simultaneous, the parallel and the imagined? How can we understand a site prior to understanding its architecture? How is its architecture intention, ideology, people and environment? Using a series of architectural templates (the archaeological site, the housing colony, the freedom square, the dam, the sports stadium, the terminal, a campus, the camp, the factory, and the construction site), this lecture dwells on minor, marginalized and oral histories to speculate other futures and new custodians. Here, the political is enmeshed with capitalism, the environment, labour and time as currency. Drawing from architectural incidents in Ghana, Cairo, Baghdad, New Delhi and Dhaka amongst other sites, we attempt to think about specificity and abstraction together, in investigating power. Saturday, June 13th, 2020 6pm in Amman (GMT +3) 11am in New York (EST) This lecture is open to the public: https://us02web.zoom.us/j/81498839922 Meeting ID: 814 9883 992 Mario D’Souza is a curator and writer. He was formerly curator at Khoj International Artists’ Association, New Delhi. His research interests include political imaginaries, the nation building project, cultures and aesthetics of dissent, public acts of assembling, legal and extra-legal systems, evidence and truth. Mario is interested in emerging contemporary practices in the ‘Global South’ aligning South East Asia, South and West Asia, Africa and South America. In 2019, he contributed to how to reappear: through the quivering leaves of independent publishing curated by Ala Younis and Maha Maamoun at the Beirut Art Center. His exhibitions with Khoj include This Must be True, that he co-curated in 2019, along with projects like 'Evidence Room' (2017) and 'Turn of the tide' (2018). He is currently on the curatorial team for the 5th edition of the Kochi-Muziris Biennale, 2020. Read the full post on Bustler
Studio-X Amman is a regional platform for research and programming in architecture, run by Columbia GSAPP and the Columbia Global Centers | Amman.
Janet Abu-Lughod Library Seminar IV Superheat by Ala Younis Online public lecture series
Architectural Templates,
Corresponding Histories
and Chance Encounters
by Mario D'Souza
How can we move away from the chronological and the linear to dwell instead on the simultaneous, the parallel and the imagined? How can we understand a site prior to understanding its architecture? How is its architecture intention, ideology, people and environment?
Using a series of architectural templates (the archaeological site, the housing colony, the freedom square, the dam, the sports stadium, the terminal, a campus, the camp, the factory, and the construction site), this lecture dwells on minor, marginalized and oral histories to speculate other futures and new custodians. Here, the political is enmeshed with capitalism, the environment, labour and time as currency. Drawing from architectural incidents in Ghana, Cairo, Baghdad, New Delhi and Dhaka amongst other sites, we attempt to think about specificity and abstraction together, in investigating power.
Saturday, June 13th, 2020
6pm in Amman (GMT +3)
11am in New York (EST)
This lecture is open to the public:
https://us02web.zoom.us/j/81498839922
Meeting ID: 814 9883 992
Mario D’Souza is a curator and writer. He was formerly curator at Khoj International Artists’ Association, New Delhi. His research interests include political imaginaries, the nation building project, cultures and aesthetics of dissent, public acts of assembling, legal and extra-legal systems, evidence and truth. Mario is interested in emerging contemporary practices in the ‘Global South’ aligning South East Asia, South and West Asia, Africa and South America.
In 2019, he contributed to how to reappear: through the quivering leaves of independent publishing curated by Ala Younis and Maha Maamoun at the Beirut Art Center. His exhibitions with Khoj include This Must be True, that he co-curated in 2019, along with projects like 'Evidence Room' (2017) and 'Turn of the tide' (2018). He is currently on the curatorial team for the 5th edition of the Kochi-Muziris Biennale, 2020. Read the full post on Bustler
