“The Kind of Architecture I Try to Achieve Is a Rainbow:” In Conversation With Kengo Kuma
In my 2008 interview with Kengo Kuma in Manhattan—the Tokyo-based architect was in town for a lecture at Cooper Union and to oversee the construction of a house renovation in nearby Connecticut— he summarized the intention of his work for me, "The closest image to the kind of architecture I try to achieve is a rainbow." The architect designs his buildings as a chef would prepare a salad or a florist arrange a bouquet of flowers—by carefully selecting ingredients according to their size, shape, and texture. He then tests whether they should touch, overlap, or keep a distance to let the airflow pass through. The process is closer to a trial-and-error scientific experiment rather than an artistic exercise in projecting visionary forms and images. Although his buildings surely look strikingly artistic and utterly breathtaking. They are both precise and loose, primitive and refined, material and transient. The architect's fascination with materiality is startling, and despite having completed many dozens of buildings all over the world over the course of his distinctive career, in our conversation last month over Zoom, Kuma told me, "I stand at the beginning of a long process of material exploration."
In my 2008 interview with Kengo Kuma in Manhattan—the Tokyo-based architect was in town for a lecture at Cooper Union and to oversee the construction of a house renovation in nearby Connecticut— he summarized the intention of his work for me, "The closest image to the kind of architecture I try to achieve is a rainbow." The architect designs his buildings as a chef would prepare a salad or a florist arrange a bouquet of flowers—by carefully selecting ingredients according to their size, shape, and texture. He then tests whether they should touch, overlap, or keep a distance to let the airflow pass through. The process is closer to a trial-and-error scientific experiment rather than an artistic exercise in projecting visionary forms and images. Although his buildings surely look strikingly artistic and utterly breathtaking. They are both precise and loose, primitive and refined, material and transient. The architect's fascination with materiality is startling, and despite having completed many dozens of buildings all over the world over the course of his distinctive career, in our conversation last month over Zoom, Kuma told me, "I stand at the beginning of a long process of material exploration."
