X is Not a Small Country Exhibition / Daniel Zamarbide
X is Not a Small Country Exhibition / Daniel Zamarbide
The exhibition design follows these lines of thought: Fieldwork: the resurrection of Henrique Galvão’s 1934 map, a complex referential transnational framework. Translation: the very actual and misused topic of borders, peripheries, nations dictating conventions on one side of a line against what might happen on the other. Lines: suggested by a deformed, half invisible grid offering potential narratives of referential diversity, blurring north-south orientations. Geography: an insinuated three-dimensional space grid eludes any clear belonging. Choice: “if I had to choose between The Doors and Dostoyevsky, then – of course – I’d choose Dostoyevsky. But do I have to choose?” (Susan Sontag in Jonathan Cott, The Complete Rolling Stone Interview, Yale University Press, 2013).
This website uses cookies to distinguish you from other users of our website. The use of cookies helps us to provide you with a specific service, to facilitate website use and to understand our visitors. By continuing to browse the site you are agreeing to our use of cookies.