Perfect Days: An Ode to Tokyo's Public Toilets
"A bathroom is a place where everyone is equal—there is no rich or poor, no old or young; everyone is part of humanity." This reflection was shared by Wim Wenders, exponent of New German Cinema and director of the film Perfect Days (2023) when asked about the striking sets of his most recent work. Wenders selected Tokyo's public restrooms to craft a narrative that deeply explores themes of solitude, simplicity, and the beauty of everyday life.
Yoyogi Fukamachi Mini Park Toilet / Shigeru Ban Architects. © Satoshi Nagare, Courtesy of The Nippon Foundation
"A bathroom is a place where everyone is equal—there is no rich or poor, no old or young; everyone is part of humanity." This reflection was shared by Wim Wenders, exponent of New German Cinema and director of the film Perfect Days (2023) when asked about the striking sets of his most recent work. Wenders selected Tokyo's public restrooms to craft a narrative that deeply explores themes of solitude, simplicity, and the beauty of everyday life.
The story follows Hirayama, a middle-aged man working as a public toilet cleaner in Tokyo. His life is simple and routine, yet filled with small pleasures and moments of reflection. This modest lifestyle contrasts with the technological, colorful, and innovative designs of the public restrooms he cleans every day.
