The colorful Facade of the Brandhorst Museum in Munich by Architects Louisa Hutton and Matthias Sauerbruch
The Brandhorst Museum of Modern and Contemporary Art in Munich has a colorful facade designed in a total of 23 different colors, consisting of three different color families. A total of 36,000 square, vertically mounted ceramic rods are placed at some distance from each other in front of the concrete walls. Depending on the viewing angle and distance, the viewer is presented with different visual impressions. Architects Sauerbruch Hutton.
Facades Architecture.
Fascination of the Faces of Buildings
In architecture, the term facade refers to the outwardly visible wall surfaces of a building, including windows, doors and the likes. Materials are often concrete, glass, wood, brick or masonry made of sand-lime bricks. But for Michael Nguyen, they are not just that inanimate materials or elements. They are like the face of a human, like the shape of body, or the clothes, which communicate with the other humans and tell stories. That’s why in most of his photographs,
Nguyen does not show an overall view of a building, but a look at the details and particularities. Just like when we approach a person and have a chance to look closer, we see their beautiful eyes, we hear their unique voice from those open lips, or sometimes just an interesting pattern of the dress they wear attracts us. With these settings in mind, look at the photos of Nguyen. Buildings are not static objects with five facades, four side walls and the roof. They are lively, dynamic sculptures.
The windows are their eyes, that reveal a part of their soul. The open doors are talking with us, inviting us to come in, to hear their inner stories. And the graphic layout of bricks, of glass, of wood or whatever the genuine architects create are their eye-catching clothes, which make our cities, our urban spaces more beautiful, more vibrant.
Text by Thanh Tung
