'Whats the point of all this?' Patrik Schumacher's blistering critique of the Venice Architecture Biennale stirs debate

A new Facebook post from Patrik Schumacher critical of the newly-opened 2023 Venice Architecture Biennale is gaining traction after the Zaha Hadid Architects Principal expressed his concerns over the apparent lack of architectural content in the Lesley Lokko-curated exhibition, whose theme touches on Afrofuturism, the environmental crisis, and identity. In a fourteen-paragraph invective titled “Venice Biennale Blues,” Schumacher decried the Biennale as being “mislabeled,” claiming that “What we are witnessing here is the discursive self-annihilation of the discipline.” Schumacher, who is himself a co-curator of this year's Venice Virtual Pavilion, claimed to visit twelve total pavilions without seeing anything related to architecture before lamenting the pavilions and themed exhibitions as being awash in “documentary-style intellectual-artistic allusions to moral issues, garnished with pretentious critical-speak.” Perhaps controversially, Schumacher lambasted the American pavilion a...

'Whats the point of all this?' Patrik Schumacher's blistering critique of the Venice Architecture Biennale stirs debate

A new Facebook post from Patrik Schumacher critical of the newly-opened 2023 Venice Architecture Biennale is gaining traction after the Zaha Hadid Architects Principal expressed his concerns over the apparent lack of architectural content in the Lesley Lokko-curated exhibition, whose theme touches on Afrofuturism, the environmental crisis, and identity.

In a fourteen-paragraph invective titled “Venice Biennale Blues,” Schumacher decried the Biennale as being “mislabeled,” claiming that “What we are witnessing here is the discursive self-annihilation of the discipline.”

Schumacher, who is himself a co-curator of this year's Venice Virtual Pavilion, claimed to visit twelve total pavilions without seeing anything related to architecture before lamenting the pavilions and themed exhibitions as being awash in “documentary-style intellectual-artistic allusions to moral issues, garnished with pretentious critical-speak.”

Perhaps controversially, Schumacher lambasted the American pavilion a...