Adjaye announces new rammed earth commission for The Griot Museum of Black History in St. Louis
The Griot Museum of Black History will soon be home to a public art installation from the designer of the Smithsonian National Museum of African American History and Culture. Architect David Adjaye will design Asaase III, a monument that surrounds the museum. The structure will be built of rammed earth, a process using soil and other natural materials from the St. Louis region to make solid structures.The rammed earth installation is the new Order of Merit appointee’s second such following his well-profiled commission for Antwaun Sargent’s Social Works show at the Gagosian Gallery in New York. Adjaye had also incorporated earthwork into his commission for the 2019 Venice Biennale and design for the Thabo Mbeki Presidential Library and has referred to it beyond materiality as “another creature” that will join 30 other designs in the three-month public art installation COUNTERPUBLIC, which debuts this Spring. “Since it’s outdoors and it's intended to be a community of public peace, we really wanted it to be reflective of that,” the museum’s founder Lois Conley said of the deeper inspiration behind the project. “Some of the soils will be coming from various areas that had relevantly large African American populations, whether they exist anymore or not. We still wanted to have some of that material.”
The Griot Museum of Black History will soon be home to a public art installation from the designer of the Smithsonian National Museum of African American History and Culture. Architect David Adjaye will design Asaase III, a monument that surrounds the museum. The structure will be built of rammed earth, a process using soil and other natural materials from the St. Louis region to make solid structures.
The rammed earth installation is the new Order of Merit appointee’s second such following his well-profiled commission for Antwaun Sargent’s Social Works show at the Gagosian Gallery in New York. Adjaye had also incorporated earthwork into his commission for the 2019 Venice Biennale and design for the Thabo Mbeki Presidential Library and has referred to it beyond materiality as “another creature” that will join 30 other designs in the three-month public art installation COUNTERPUBLIC, which debuts this Spring.
“Since it’s outdoors and it's intended to be a community of public peace, we really wanted it to be reflective of that,” the museum’s founder Lois Conley said of the deeper inspiration behind the project. “Some of the soils will be coming from various areas that had relevantly large African American populations, whether they exist anymore or not. We still wanted to have some of that material.”
